Having absolutely loved Tarintino's Death Proof, I had to check out the film that most directly inspired it; the characters "borrow" a Dodge Challenger because it is the car made famous by this 70's car-chase film. Once I started watching Vanishing Point, a lot of the scenes began to seem familiar, like I'd already seen the film, but I honestly don't remember seeing it before.

The film is chock full of great car-chases. And I appreciate all the work that went into filming these scenes; there's something so satisfying about watching real cars driving fast in uncut, wide shots where you can fully see the stunt-drivers skills and in many cases the actor's. Most car-chases these days are cut so fast, you can barely tell what's going on; clutch, gearshift, intense face, cars flying by, rear-view mirror, outside shot of car, intense face... and over and over.

Beyond the cars, the film isn't all that wonderful, much of the story doesn't make sense if you put some thought into it.

The film is about Kowalski, a former professional-racer and cop, who now runs cars across the country for sale. He's on his way to San Fransisco with said Dodge Challenger, he's forced to speed all the way there, because he's on a strict schedule. But that doesn't explain why he's willing to put the car in harm's way so many different times; at the very least scratching the hell out of the paint, ruining the tires and unknown engine problems. I think the buyer would be more pissed about the condition of the car, than the lateness of its arrival.

Kowalski just drives and drives, continuously finding ways to get away from the cops. He comes into contact with all kinds of different folks, a gay couple who tries to steal his car, some kind of traveling minstrel group, and a hippie couple, with a girl who rides around on her motorcycle naked and offers up her body to him. But Kowalski gets off on only two things; speed - the action and the drug. This being a 70's anti-hero flick, ultimately Kowalski has to sacrifice himself for his unintended message to stick.

Vanishing Point isn't a great film, but it's a fun ride, literally; much of the film you feel like you're sitting beside him on his high-speed escapes. As much as half of the film is car chases; and they're all well done and exciting. The not-so-subtle message will probably skip right on by younger viewers these days, but it has some good points for that moment in history. As 70's exploitation flicks go, you couldn't do much better.

Grindhouse is the best experience I've had in the theater all year long. Two very fun flicks together, with some cool fake trailers. I saw it in an almost empty theater opening day. I'm disappointed that it bombed so badly in theaters, because I thought it could be a great format, for genre filmmakers to go all out.

I thought that Death Proof was the better of the two as a film, though I had more fun with Planet Terror. I wanted to see it in it's longer cut. Even though it was half an hour longer, and didn't add any action or gore as far as I could tell, it didn't feel any longer. That's a testament to Tarintino's dialogue and his getting the most out of his actors. Because the rest of this film, by any rights shouldn't be entertaining. Two groups of girls, talking about nothing in particular.

I love how he sets up each story the same, but the second time around the girls take their revenge. I fell in love with Zoe Bell in this film. She's got a ton of charisma, and her stunts are top-notch. Tarintino continues to make extremely well made genre films... I can't wait to see what he comes up with next.