After feeling like I saw the Oscar winning Mystic River, a kidnap-thriller, taking place in Boston, based on a Dennis Lehane novel, not too long ago; Gone Baby Gone didn't seem appealing. It looked like pretty much the same thing, only it was directed by Ben Affleck, not Clint Eastwood, who I consider a bit of a film-making genius. Affleck, who after busting out on the scene, writing and starring in Good Will Hunting, had devolved into stumbling his way through some horrible big budget action flicks, then took a break for a few years. I didn't have much faith in his directing abilities based on that resume. But after receiving mostly rave reviews, I decided I should see it for myself.

The film is extremely similar to Mystic River, they shot in the same neighborhoods, featuring the same kind of characters. Only instead of seeing a kidnapping from the point-of-view of the father, we're seeing it from the investigator's. Casey Affleck, in possibly the performance of his life, plays Patrick Kenzie, a Southie-local with a knack for snooping. When the missing girl's parents hire him as a private investigator, he gets full access to the case and cooperation from the police, which they're initially not happy about. He has a checkered past, which helps him get information from the local lowlifes that won't talk to the cops. Along for the ride is his partner and girlfriend, played by Michelle Monagahan. They catch the scent of a trail and follow it to a local drug-dealer, who from the evidence they've collected, appears to be the kidnapper.

Just about when you think they have it all figured out, the film does a complete 180, leaving the viewer and the characters fully confused. It picks up a few months later, and they're no closer to the truth. They've been told to leave the case, but he's obsessed with figuring out what happened. Starting to respect him for his ruthlessness are a couple of cops, played by Ed Harris and character actor John Ashton. They bring him in on some other cases that may be involved with the kidnapping, where he gets into a few nasty situations, but finds some new clues and new suspects, leading him down a completely different path than before. This being a mystery-thriller, of course not all the characters are telling the truth, which leads to a bit of a surprise ending, and some major moral choices for Patrick.

After having some reservations about seeing this film, because of it's extreme similarities to Mystic River, I believe that Gone Baby Gone, is the superior film. The acting in both films is extremely well done, top-notch performances from everyone involved. But I think Gone, is a better focused, more entertaining film. Affleck's intimate knowledge of Boston, helps give the film a more of an insider's perspective, where Eastwood's seemed more stand-offish. They're both excellent films, you really couldn't go wrong with either one, and if you're into a depressing night with Boston, you could have a hell of a double feature. What makes the difference is, that I don't think I'll ever revisit Mystic River, but I can see giving Gone Baby Gone another viewing. Most of all, the film stands as an impressive directing debut for Ben Affleck, and I'm highly interested in seeing what film he does next. - Grade: B+

For a few years during the 90's the Farrelly brothers were on top of the comedic world. Their first film, Dumb & Dumber, introduced us to a new brand of comedy; a mix of sweet slapstick humor and over-the-top grossness. They continued in the right direction with Kingpin. Then completely nailed it with There's Something About Mary, where every joke seemed to be firing on all cylinders.

Everybody expected them to keep making us laugh, but by then all of Hollywood was producing these cheap gross-out comedies that diluted the joke pool. So by the time Me, Myself and Irene came out most everybody was growing tired of that brand of humor; plus it honestly wasn't that funny of a film. Then they went the PG-13 route for their next couple of forgettable films, and have become pretty irrelevant.

I wouldn't say they were back with The Heartbreak Kid, but it's a step in the right direction. It's easily their best film since Mary. It's very uneven, with a lot of jokes falling flat, but those that hit, are hilarious. Now that the gross-out comedy trend has ended, they can get back to what they were doing, and make it seem fresh again.

Ben Stiller stars as Eddie, he's middle-aged and never come close to getting married. His father and friends are hounding him to do so. The last straw comes when he attends his ex-girlfriend's wedding. Soon after that he meets Lila, she makes him believe that she's the perfect girl. She's gorgeous, smart, wants to protect the environment and most importantly loves him to death. So he takes the plunge and they get married.

She immediately changes once they're on their road trip honeymoon to Cabo. She becomes extremely annoying and very naive. When they have sex for the first time, she's like a wildcat, nearly ripping him to pieces. Eddie knows he's made a huge mistake. Things get complicated when he meets another girl, Miranda, who now really seems like the right girl for him. So he's trying to date Miranda, while on his honeymoon with his wife Lila. Of course eventually it all explodes in his face.

Stiller does fine doing his thing, he's got this shtick down pat. Lila is played hilariously by Malin Akerman, rare is it a girl so beautiful and so funny at the same time. Michelle Monaghan gets to play it straight as Miranda. And in typical Farrely film fashion, there are a lot of funny side characters, constantly adding random humor to it all.

The Farrelly's get a lot right and a lot wrong, but it's great to see them playing in R rated territory again, they still have some truly sick jokes up their sleeves. Although it's nowhere near the quality of their first three films, The Heartbreak Kid makes me interested in them as joke-tellers again; and I want to see what they come up with next.