Why do we like revenge films? Is it a violent urge inside all of us, to harm someone that did us wrong? I believe that movies let us live out fantasies that we otherwise wouldn't get to. Whether that be travel, sexual, violence or a million other possibilities. I think most humans are full of anger, it's simply part of being human; looking at our history, it's impossible to ignore. Now that most of us are domesticated, happy to live in harmony with our neighbors, we live it out through the movies. That's why films from Death Wish to Sweeney Todd exist, we get to see the guy who's been stepped on, get his revenge. It pleases our deepest instincts. (At least that's what I tell myself, when I cheer inside, when some guy gets brutally killed.)
So it was with those thoughts I went into Death Sentence. I've always liked Kevin Bacon, he's one of the industries most reliable actors, popping up in just about anything, always giving a good, believable performance. Director James Wan has caught my attention over the last few years; busting out with Saw, his original being the only worthwhile of the bunch, and I was one of the few people that really dug his killer puppet film Dead Silence. He's got a good eye, and a talent for building suspense and action scenes. I figured the two couldn't go wrong in revenge mode, and I was mostly right.
Bacon plays Nick Hume, an executive, a dedicated husband and father of two, you couldn't ask for a much plainer fellow. He takes great pride in the fact that his older son Brendan is a top-notch high school hockey player. He has hopes for him to get a college scholarship and maybe go pro one day. Everything changes one night, when the two stop at a gas station on the wrong side of town. Brendan is mercilessly killed by a young gang member, doing so, simply to be fully initiated into the gang. When the DA tells this grieving father, that since he's the only witness, the most he can hope for is a few years behind bars for the murdering bastard.
Pissed beyond belief at a justice system gone wrong, Nick has the judge throw out the case. And decides to take the law into his own hands! I mean really, is there any other option? Nick proceeds to track down the kid and kill him a few nights later. Being a novice at it, he does so pretty sloppily, leaving behind enough evidence for the cops and the kid's brother/gang-leader to be on his ass. I liked actor playing the brother, Garrett Hedlund, he has the angry-young-man bit down well. But the main cop, played by Aisha Tyler, is a drag every time she's on camera, I didn't buy her as a cop for a second. Nick has to distract the cops and fight the gang off the best he can, and his world begins to quickly unravel.
There's a pretty great scene, when the gang finds Nick after work and they chase him through the alleys of downtown, into a parking structure, ending with Nick rolling a parked car from the top floor with one of the gang members still inside. The entire thing gets way out of hand, ruining his good name, and putting the rest of his family in jeopardy. The film's ending is about as big a downer as you could find in these films, which is really saying something.
Death Sentence isn't going to knock anyone's socks off. It's not breaking any new ground. The action scenes are fairly well done, and they're fun to watch. But it's tough to believe some of the things Nick puts his surviving family through, in order to get his justice. And the way the initial murder is set-up, it's not enough to get you totally riled up for his eventual revenge. You actually kind of feel bad for the guys he's chasing down and I think that's maybe the feeling they were going for, trying not to paint it in black and white. But the film isn't built well enough for us to feel a full set of emotions, mostly you just want to see Bacon kick ass. If you're into revenge films, you could do a lot worse; but there are a ton of them out there far more satisfying and better mad. - Grade: C+
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Showing posts with label Saw. Show all posts
Showing posts with label Saw. Show all posts
5/10/08
Labels: 2007, Action, Aisha Tyler, Dead Silence, Death Sentence, Garrett Hedlund, Grade B, James Wan, John Goodman, Kelly Preston, Kevin Bacon, revenge, Review, Saw, trailer
10/27/07
Labels: Cabin Fever, Eli Roth, horror film, Hostel Par II, Hostel Part II, Saw, torture movie, torture porn
I hate the term torture-porn. With the success of the Saw and Hostel films, and the like, a lot of critics have been throwing around that term, denouncing the whole genre. Torture has been around since the dawn of mankind, and used as entertainment for nearly as long. (Think gladiators and such.) It's been a common theme in films for quite a while as well; just because it's popular now, doesn't mean that society is going to hell, or that once the trend has run its course that the films won't continue to be made.
That said, I think that Eli Roth is on top of the game when it comes to these kinds of films. Cabin Fever and Hostel are two of the better made horror films of the last five years, they're wonderfully sick and funny, with acting and filmmaking that rises above the typical studio horror films. I saw both of them as extremely dark comedies, more than just straight-up horror films. The characters find themselves in such ridiculous situations and the gore is so over-the-top, that you really can't take any of it seriously.
Even thought it bombed in theaters, I was excited to see Hostel Part II. I thought that maybe Roth had gone so far that audiences were turned off. I was wrong, he actually pulled back too much. Maybe he took some of what the critics said to heart? Part II isn't nearly as graphic as the first one, there are definitely some memorable moments, but nothing comes close to blow-torch scene in the first film. A girl bathing in blood and a guy getting his privates cut off are the most extreme bits and neither were mind-bending.
He cut back on the sexuality as well. I thought with girls as the main characters, he might ramp up the nudity, but that was toned down as well. Overall the film was decent, the filmmaking was still excellent; I was hoping for more or more of the same, and I got less. I think that's why audiences didn't respond. The ending was satisfying and I thought it was interesting that we got to see more from the guy's who pay to do the torturing perspective, so it was an almost worthy follow-up.
I'd like to Roth move on to something else anyways, we certainly don't need a Hostel Part III.
That said, I think that Eli Roth is on top of the game when it comes to these kinds of films. Cabin Fever and Hostel are two of the better made horror films of the last five years, they're wonderfully sick and funny, with acting and filmmaking that rises above the typical studio horror films. I saw both of them as extremely dark comedies, more than just straight-up horror films. The characters find themselves in such ridiculous situations and the gore is so over-the-top, that you really can't take any of it seriously.
Even thought it bombed in theaters, I was excited to see Hostel Part II. I thought that maybe Roth had gone so far that audiences were turned off. I was wrong, he actually pulled back too much. Maybe he took some of what the critics said to heart? Part II isn't nearly as graphic as the first one, there are definitely some memorable moments, but nothing comes close to blow-torch scene in the first film. A girl bathing in blood and a guy getting his privates cut off are the most extreme bits and neither were mind-bending.
He cut back on the sexuality as well. I thought with girls as the main characters, he might ramp up the nudity, but that was toned down as well. Overall the film was decent, the filmmaking was still excellent; I was hoping for more or more of the same, and I got less. I think that's why audiences didn't respond. The ending was satisfying and I thought it was interesting that we got to see more from the guy's who pay to do the torturing perspective, so it was an almost worthy follow-up.
I'd like to Roth move on to something else anyways, we certainly don't need a Hostel Part III.
10/7/07
Labels: Audition, Billy Drago, Imprint, Masters of Horror, One Missed Call, Saw, Takashi Miike, torture movie
I've watched a few of Showtime's Masters of Horror series, and haven't really been impressed so far. I'd pretty much given up on it, until I read about the supposed awesomeness of Takashi Miike's Imprint. I've been a fan of Miikes for about 5-6 years. His films are always interesting, he's constantly changing genres, but you can always count on something weird going on. He pushes the limit of good taste, and has made some of the most twisted films of the last decade. (Eli Roth has nothing on this guy.) He gained some attention for Audition a few years back, but nothing else has broken out in the States. Although One Missed Call, his version of J-Horror, is getting a typical American remake.
Imprint is about a white man, played by cult-hero Billy Drago, in 19th Century Japan searching all the countries brothels for his long lost love. He starts talking with a deformed prostitute, who weaves a twisted tale about her history and eventually what happened to girl. For the most part I was kind of bored, for only being 50 minutes long, it started to drag a bit. But the eventual torture sequence is some of the nastiest stuff I've ever seen. I almost had to close my eyes through some of it... and these scenes never bother me. I laughed through the Saw films.
So if you're really into gross-outs, this is the film for you. If not, don't bother.
Imprint is about a white man, played by cult-hero Billy Drago, in 19th Century Japan searching all the countries brothels for his long lost love. He starts talking with a deformed prostitute, who weaves a twisted tale about her history and eventually what happened to girl. For the most part I was kind of bored, for only being 50 minutes long, it started to drag a bit. But the eventual torture sequence is some of the nastiest stuff I've ever seen. I almost had to close my eyes through some of it... and these scenes never bother me. I laughed through the Saw films.
So if you're really into gross-outs, this is the film for you. If not, don't bother.
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at 2:03 PM Posted by Ross Williams
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